LENSES.
ANAMORPHIC
ATLAS MERCURY 1.5X ANAMORPHIC LENSES (PL)
Designed by cinematographers for professional videographers, the Mercury 36mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length still in the pipeline.
Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.
APOLLO ANAMORPHIC PRIME LENSES (PL) SET A
We are excited to bring to the cinematography world our new compact lens set of 40mmT2.1, 60mmT1.7, and 100mmT2.5. These lenses are light, short, and giving you a classic anamorphic picture we all use to. The focus throws has long travel of 270°, and close focus of 0.9 inches. Focus scale metric or imperial. All Apollo line lenses are compatible with super 35 sensor.60 mm, and 100mm are specially made to work with full frame sensors, and have special sign on the housing.One of the great features of APOLLO is able to shoot on different sensors without any compromises!
APOLLO ANAMORPHIC PRIME LENSES (PL) SET B
We are proud to announce the arrival of our new Xelmus Apollo Prime Anamorphics. These are very special lenses. This “Set B’ includes the 50mm T1.7, 75mm T2.0 and 135mm T2.8.
LAOWA ANAMORPHIC 3-LENS KIT (RF/DL/E)
Capture high-definition anamorphic imagery with this Laowa Nanomorph S35 Prime 3-Lens Bundle from Venus Optics. The bundle includes 27, 35, and 50mm Laowa Nanomorph compact anamorphic lenses that feature a 1.5x anamorphic squeeze ratio, silver color flares, markings in meters and feet, 0.8 MOD cine gears, and a Canon RF mount.
MACRO
RAPTOR MACRO F/2.8 60MM + 100MM (PL)
The movement toward larger format sensors is in progress and the number of large format cameras available keeps growing and includes the ALEXA LF, ALEXA 65, Sony VENICE, RED MONSTRO 8K VV, Panavision Millennium DXL2 and others. Larger sensors deliver a film-style look with interesting bokeh due to their very shallow depth of field and require lenses that can cover the complete area. Our RAPTOR Large Format Macro Lens Set is up to the task.
IRIX 150MM T3.0 MACRO 1:1 CINE LENS (PL)
Designed for close-up cine-style capture and covering up to full-frame size sensors, the ARRI PL-mount 150mm T3.0 Macro 1:1 Cine Lens from IRIX incorporates multiple internal and external design features. External features include a 95mm front diameter, 0.8 MOD gears, luminous focus marks in feet, and a detachable 1/4"-20 support foot. Internally, 11 blades produce smooth, rounded bokeh and five seals protect against inclement weather and dust.
To help eliminate aberrations and distortion, the 150mm IRIX is constructed with 12 optical elements in 9 groups including four HR (high refractive index) and three ED (extra-low dispersion) elements. This lens has 270° of focus and 75° of iris rotation, an 86mm front filter thread, and includes a lens hood in addition to front and rear caps.
TOKINA CINE ATX 100mm MACRO (EF/PL)
This 4K-ready macro lens covers full-frame 35mm image sensors and features a 1:1 macro close focus working distance of 11.8". It features minimal focus breathing and a wide T2.9 to T32 aperture range offering great control over exposure and depth of field. The lens features a PL mount.
Its 9-blade iris provides a soft bokeh, and its sharp high-contrast glass allows for low distortion and chromatic aberrations. The lens housing is made from durable metal, it has gear rings that accept standard cine follow focus gears, features an 82mm filter thread, and it has an 85mm front diameter to fit a wide variety of matte boxes.
PRIMES
COOKE SP3 T2.4 FULL-FRAME (RF/E)
Enhance your mirrorless camera capture with outstanding optical performance using the SP3 Full-Frame Prime Lens from Cooke. Based on the storied Speed Panchro lenses, the SP3 primes are optically and mechanically optimized for full-frame mirrorless cameras. These tough yet lightweight and compact lenses feature focus and iris mechanics that are aligned across the series, enabling quick lens changes when using matte boxes and FIZ (focus/iris/zoom) systems. Each lens in the series matches the Cooke Panchro/i Classic series, enabling you to use the SP3 primes as a "B" or "C" camera drone or gimbal solution that complements your "A" camera footage.
BLACKWING7 LENS SET - T-TUNED - T1.9 (PL)
Purpose-designed for large format motion picture imaging, B L A C K W I N G 7 prime lenses (27, 37, 47, 57, 77 and 107) are crafted through a process of innovation and intention to create an entirely new range of custom tuned optics for contemporary film makers to use within their creative story telling.
Mixing vintage inspiration with new technology, B L A C K W I N G 7 optics have uncomplicated “old- style” lens coatings which produce vintage contrast and flare characteristics, and also a unique 14 blade iris system which allows out-of-focus highlights to remain perfectly round from T1.9 down to T22. All lenses are designed to fully cover S35, Full Frame, and 65mm formats. Lenses exhibit tight close focus performance, will suit both film and digital PL mounted cameras, and are uniformly rated at T1.9 across the range.
COOKE S7/i T2 SET (PL)
The Cooke S7/i, T2.0 Full Frame Plus Primes are designed to cover the emergent full frame cinema camera sensors. Shoot 35mm / Super 35mm formats, full frame, VistaVision and beyond - all with The Cooke Look®. You're covered with the S7/i Full Frame Plus lenses.
Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. And, the S7/i lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.
DULENS APO MINI PRIME SET (PL)
Create an expressive, softer look for your cine-style capture with the APO Mini T2.4 Prime Lenses from Dulens. Each lens in the APO Mini series covers up to full-frame sensors and features a special coating that smooths out skin tones and adds halation for a classic vintage feel. Shoot with the aperture wide open to create a notable rainbow flare, or stop down to minimize any flaring. This APO Mini Prime lens' focus is sharp but not rigidly so, producing a gentler look.
ZERO OPTIK LEICA M.08 PRIME SET (LPL)
These Leica lenses have been rehoused by Zero Optic to give you both Leica's signature style and Zero Optic's precision control. The Leica M 0.8 series of prime lenses offer the same striking draw as the traditional M lenses that have won the hearts of cinematographers all over the world. The M 0.8 lenses feature geared focus and iris rings for use with industry standard accessories. Available exclusively in Leica M mount, the M 0.8 Primes are as nimble and romantic as they come.
Leitz selected 8 lenses for this series, choosing the fastest in each focal length. They include: 21mm f/1.4, 24mm f/1.4, 28mm f/1.4, 35mm f/1.4, 50mm f/0.95 Noctilux, 75 mm f/2.0 and 90 mm f/2.0.
LEICA SUMMILUX-C T/1.4 (PL)
The Leica Summilux-C lenses feature a maximum aperture of T1.4 and use focus cam technology for precision and low maintenance requirements. Each lens is matched to the other lenses in the series in sharpness and color rendition for consistent color and contrast when intercutting between the different lenses.
Set contains: 16mm, 21mm, 29mm, 40mm, 50mm, 75mm
SIGMA DG DN F2.0 CONTEMPORARY PRIME SET (E)
The Sigma 24mm f/2.0 DG DN Contemporary Lens for Sony E is the latest prime lens to be added to SIGMA’s growing I series range. It joins four existing I series lenses as well as the new 90mm F2.8, offering superb optical performance, a bright F2 aperture, an all-metal build and a manual aperture ring. Designed from the ground up for mirrorless systems it feels perfectly-balanced on modern full-frame bodies, and boasts exceptional resolving power that can keep up with the latest ultra-high-resolution cameras.
The lens’s advanced optical design produces sharp, high-contrast results from the center of the frame to the far corners, and together with its F2 aperture and wide angle-of-view it’s an excellent choice for night sky photography, events and interiors. Owing to its compact size the lens can be carried around effortlessly, which makes it perfect for day-to-day use. The high quality, all-metal construction, which is found on all of SIGMA’s I series models, makes the experience of owning and operating this lens extremely satisfying.
SIGMA T1.5 FF HIGH-SPEED 5-LENS SET (EF or PL)
This Sigma Kit of Five T1.5 FF High-Speed Prime Lenses assembles 20, 24, 35, 50, and 85mm focal lengths in a hard-shell case. Use this wide range of primes to capture high-resolution, 8K-suitable images with your EF-mounted full frame camera. The cine-oriented style of these primes feature clickless apertures, geared focus and iris rings, and dual focus scales marked in feet. Standardized color reproduction, common 95mm front diameters, and similar physical attributes across the line of lenses enable smooth switching between focal lengths.
TLS PETZVAL FF 2-LENS KIT (PL)
Originally photography lenses, the 58mm and 85mm Petzval primes were designed by Joseph Petzval in 1840. They were one of the first mathematically calculated lens objectives ever accomplished and were highly praised by photographers and scientists alike. Lomography revived the lenses' popularity with a successful Kickstarter campaign a few years ago and started building them into signature copper housings with Canon or Nikon mounts. TLS has now picked up the Petzvals as well and is rehousing them for modern cinema cameras, outfitting them with cam-driven geared focus and iris rings and stainless steel PL mounts. Perfect for stylistic portraiture, the lenses feature sharp centers encircled with swirly bokeh.
TOKINA VISTA T1.5 FF 6-LENS SET (PL)
Using the latest in exotic glass types and modern coatings to maximize light transmission, these multi-aspheric element lenses retain sharpness and native resolution well beyond current digital sensors. This makes these large format prime lenses equally at home on digital or film in a variety of applications. You demand the best out of your camera, we’ve made lenses to match.
Create images with complete control using the fast T1.5 9-blade aperture for exceptional bokeh. Provide continuity with nearly zero focus breathing optical design to leave your subject right where you left it.
ZEISS OTUS ZF.2 PRIME SET (PL)
The trio of Zeiss OTUS prime lenses in a single kit, ready to shoot stunning images, right out of the custom foamed flight case. The OTUS primes from Zeiss feature some of the world's most advanced optics which provide unrelenting sharpness and highly corrected image quality. If you're project requires the absolute highest image quality, the OTUS primes are a perfect choice.
The Zeiss OTUS primes are available with the Cine-Mod PRO or Cine-Mod OTUS. The Cine-Mod PRO features an integrated 95mm front ring, seamless focus gear, and de-clicked, damped aperture movement.
ZEISS SUPREME SPEED T1.5 SET (PL)
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the set (25, 29, 35, 50, 85 100) cover full frame and even bigger sensors with an image circle of 46.2 mm. The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with.
ZERO OPTIK NIKKOR AI CINEMA LENSES (PL)
This is a set of rare and classic Nikkor lenses that have been rehoused by Zero Optics in Los Angeles California.
The preferred glass of photojournalists and fine-art photographers alike, Nikon’s AI and AI-S lenses dominated the 35mm SLR market in the 1970’s and 80’s. Their particular blend of technical excellence and soulful rendering separated Nikon primes from the competition then and provide a uniquely subtle and faithful option to cinematographers now. These lenses are known for good contrast, strong color, modest flares, and gentle halation when shot wide open.
The kit includes 24mm, 35mm, 50mm, and 85mm.
ZOOMS
ANGENIEUX OPTIMO 24-290mm ULTRA 12x T2.8 ZOOM (PL)
The Optimo Ultra 12x Full Frame Lens from Angenieux is a spherical lens kit that includes the S35 and U35 lenses. The S35 lens is a long-range zoom designed for use in feature films, TV series, live stage commercials, and similar productions. It features an optical and mechanical design and the IRO technology, which allows you to configure it to 31.1mm. Additionally, you can configure the lens with the included U35 lens. Each lens is constructed with front and rear caps, focus, zoom, and iris rings, a fixed marker, and a fixed marker cover.
ANGENIEUX EZ-1 30-90mm T2 ZOOM (PL)
The EZ-1 30 to 90mm Cinema Lens Pack from Angenieux includes the PL mount version of the 30 to 90mm EZ-1 zoom lens, with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 3x zoom ratio. However, the full-frame rear lens group does change the lens from a 30 to 90mm zoom that covers Super35 to a 45 to 135mm zoom that covers the full-frame/VistaVision aperture.
ANGENIEUX EZ-2 15-40mm T2 ZOOM (PL)
The EZ-2 15 to 40mm Cinema Lens Pack from Angenieux includes the PL mount version of the 15 to 40mm EZ-2 zoom lens, with both the Super35 and FF/VistaVision rear lens-groups. The lens is fast, T2.0 in Super35 and T3.0 in full-frame/VistaVision. Swapping between the rear lens groups doesn't affect the physical length of the lens, minimum focus distance, or 3x zoom ratio. However, the full-frame rear lens group does change the lens from a 15 to 40mm zoom that covers Super35 to a 22 to 60mm zoom that covers the full-frame/VistaVision aperture.
CANON CINE-SERVO 25-250mm T2.95-3.95 (I) ZOOM (PL)
The CINE-SERVO 25-250 T2.95 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.7 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The lens also features a high 10x zoom magnification, wide focal length range of 25mm to 250mm, and a 180o smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.
CANON CN-E 18-80mm T4.4 COMPACT SERVO ZOOM (EF)
The COMPACT-SERVO 18-80mm T4.4 EF-mount lens combines the benefits of compact size and light weight (only 2.65 lbs.) for outstanding mobility. Designed to shoot video, this lens can be ideal for the cinematographer moving up from our EF lenses, combining the functionality of our EF lenses with the video shooting features of our Cinema lenses.
CANON CN-E 70-200mm T4.4 COMPACT SERVO ZOOM (EF)
The EF-mount Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens with Serial Port provides 4K and HDR–compatible imaging for Super 35-sensor digital cinema cameras. This compact, lightweight zoom offers coverage in the commonly used 70-200mm range. Its range can be further expanded using the optional Canon EF 1.4x III and 2x extenders (available separately). This parfocal cine lens maintains focus while zooming and has a constant maximum iris of T4.4 across its zoom range. Its color characteristics match those of existing Canon cinema lenses, making for smooth intercutting. Another cinematic feature of this zoom is its nine-bladed iris which can be used to produce attractive bokeh (out-of-focus highlights) effects.
FUJINON CABRIO 19-90mm T2.9 ZOOM (PL)
Fujinon introduces a new 19-90 mm T2.9 lightweight PL-mout zoom lens. It's part of Fujinon's Premier line. This is the longest range (19-90) of any lightweight zoom. The zoom handgrip is quickly removable. Similar to ENG/EFP servo drives, it has built-in lens motors for focus, iris, and zoom. A rocker controls the zoom. This is daring new territory for PL mount zoom lenses with potential in handheld and documentary style shooting. The Cabrio connects with the electronic "hot shoe" contacts in the lens mounts of newer PL-mount cameras. Here’s an entirely new take on lightweight PL zoom lenses and how we handle them.
SIGMA 18-35MM & 50-100MM T2 CINE SET (PL)
The Sigma 18-35mm & 50-100mm T2 Cine High-Speed Zoom Lens Set with a Arri PL mount has focus scales marked in feet to provide an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions which makes for rapid lens changes.
The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet.
TOKINA CINE ZOOMS (PL)
Designed from the ground up, this set of Tokina Cine Zooms will give an exceptional range with sharp resolution while maintaining beautiful flares.
CANON ZOOM LENSES (EF/RF)
From the 15-35mm F2.8 to the 70-200mm F2.8 L we have you covered with a variety of different focal lengths for any situation.
PANASONIC VARIO ZOOM LENSES (MFT)
These lenses’ optical design includes a pair of aspherical elements and a pair of extra-low dispersion elements, which help to control aberrations, distortion, and color fringing to realize a sharp, color-accurate image quality, and a floating elements system is also used to maintain clarity throughout the zoom and focus ranges.
SIGMA 150-600MM F5-6.3 ZOOM (EF)
Ideal for wildlife, sports, landscapes, motorsports, and countless other photographic endeavors, the Sony E-mount 150-600mm f/5-6.3 DG DN OS Sports Lens from Sigma offers the features and image quality that professionals demand. This lens provides high rendering throughout the entire zoom range at all apertures, and ghosting, flare, and various types of aberrations are all well controlled. An updated and redesigned autofocus system offers both speed and precision by incorporating an AF actuator driven by a stepping motor, as well as a high-precision magnetic sensor. Optical image stabilization delivers approximately four stops of compensation, with two standard OS modes for both handheld shooting and panning situations. A new Zoom Torque switch gives users the option to adjust the level of zoom ring resistance from Lock (locked at the wide end for transport), Tight (prevents zoom creep), and Smooth (for easy, smooth zooming). Additional on-lens controls include a Focus Limiter switch, OS Mode switch, Custom switch for custom OS settings, and three customizable AFL buttons.
SONY G MASTER ZOOM LENSES (E)
A refined take on the fast standard zoom, the Sony G Masters are not only smaller and lighter than the previous generation, they also feature a variety of optical, focusing, and handling upgrades, catering to both photo and video applications.
SPECIALTY
LAOWA 24MM T8 PRO2BE LENS SET (PL)
Add a wide range of unique macro views to your PL-mount cine camera capture using the LAOWA Pro2be 24mm T8 2x Probe 3-Lens Set from Venus Optics. This set comprises a direct view straight lens, a 35° view lens, and a 90° periscope lens. Read more below about each of the full-frame lenses in this kit. Capture unique close-up views with your PL-mount cine camera. It covers up to full-frame camera sensors, is waterproof down to 14.4", focuses to just 0.2", and features a relatively fast T8 maximum aperture and a 2x magnification ratio.